I am an Indian-American writer who moved to the U.S. for graduate school over thirty years ago. Growing up in a conservative Indian family, I witnessed women bound by unspoken rules, for example, expectations of modesty enforced not by law but by societal norms. And, of course, I encountered daily indignities, euphemistically referred to as “eve-teasing.” Only in adulthood, as my world expanded beyond those confines, did I begin to question and resent them. While I live in the U.S., where women’s circumstances are better, though not perfect, I remain deeply interested in how life for Indian women has changed and avidly seek out books set in India.
I had never read this author before, and I was immediately struck by Ambai’s powerful voice in these stories about the small but constant tensions in ordinary women’s lives in India. Having grown up in India, I felt as if I knew these women and their stories intimately. In particular, the title story instantly made me think of my mother and so many other women toiling at their housework in Indian kitchens, which in middle-class Indian homes are not that comfortable at all.
I found great wisdom, truth, and energy in these atmospheric stories. They are also a refreshing change from the writing style of Western writers in their directness and the incorporation of almost-surreal elements in many, which makes a reader feel them so much more sharply.
In A Kitchen in the Corner of the House, Ambai's narrators are daring and courageous, stretching and reinventing their homes, marriages, and worlds. With each story, her expansive voice confronts the construction of gender in Tamil literature. Piecing together letters, journal entries, and notes, Ambai weaves themes of both self-liberation and confinement into her writing. Her transfixing stories often meditate on motherhood, sexuality, and the liberating, and at times inhibiting, contours of the body.
I loved this bold, beautiful novel because of its poetic writing and its unflinching depiction of the strain on a loving couple’s marriage due to the weight of expectations: they are unable to conceive a child while their family expects them to have one.
The rural setting is stunning, and the story is unique and unforgettable. It is both a love story and an investigation of a society that prizes other things over love. A thought-provoking read. I read the English translation. Even in translation, the book was lyrical—I can only imagine how beautiful it must be in Tamil. Again, a refreshing change from Western authors!
A vibrant fable of marriage, caste and social convention from one of the most exciting voices in contemporary Indian fiction
'Unexpected and moving' Amitava Kumar, author of Immigrant, Montana
'A major Indian writer' New York Times
'A captivating story of love and desire' Vivek Shanbhag, author of Ghachar, Ghochar
Kali and Ponna are perfectly content in their marriage, apart from one thing. They are unable to conceive. With local gossip and family disapproval mounting, the increasingly desperate couple consider a more drastic plan. They will attend the annual chariot festival, a celebration of the half-male, half-female god Maadhorubaagan.
The Bridge provides a compassionate and well researched window into the worlds of linear and circular thinking. A core pattern to the inner workings of these two thinking styles is revealed, and most importantly, insight into how to cross the distance between them. Some fascinating features emerged such as, circular…
I was deeply struck by the honest depiction of domestic violence and manipulation in this novel, which is based on the author’s own experience of marriage. The novel builds up slowly, with facts of the marriage interspersed with the retrospective analysis of the author.
The writing is lovely—stark, poetic, and, given the subject, improbably funny. Even with the humor, this is not at all an easy novel to read, but the reward is a haunting, visceral understanding of how even a well-educated woman can turn unlikely victim.
SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 LONGLISTED FOR THE DYLAN THOMAS PRIZE 2018 SHORTLISTED FOR THE JHALAK PRIZE 2018
Guardian's Best Books of 2017 Daily Telegraph's Best Books of 2017 Observer Best Books of 2017 Financial Times Best Books of 2017
"Meena Kandasamy's vivid, sharp and precise writing makes a triumph of When I Hit You: Or, a Portrait of the Writer as a Young Wife(Atlantic)"- Guardian
Seduced by politics, poetry and an enduring dream of building a better world together, the unnamed narrator falls in love with a university professor. Moving with him to a rain-washed coastal…
This novel made me think in new ways about the lives of contemporary women in India. I left India decades ago, only returning for brief visits, and I often wonder how things have changed, especially for women. In the novel, Mrs. Sharma is a married woman with a teenage son living in Delhi who meets a young man while her husband is away. Her struggle to reconcile her traditional values with her desires is portrayed beautifully by the author, making her internal conflict both unsettling and illuminating.
The deceptively simple—and often funny—writing enhances its impact. While this novel is more “plotty” than the others on this list, it is deeply layered and illuminating simply by its topic. I was so glad to find books by Indian authors that frankly discuss women’s desires.
Renuka Sharma is a dutiful wife, mother, and daughter-in-law holding the fort in a modest rental in Delhi while her husband tries to rack up savings in Dubai. Working as a receptionist and committed to finding a place for her family in the New Indian Dream of air-conditioned malls and high paid jobs at multi-nationals, life is going as planned until the day she strikes up a conversation with an uncommonly self-possessed stranger at a Metro station. Because while Mrs Sharma may espouse traditional values, India is changing all around her, and it wouldn't be the end of the world…
Take one workaholic lawyer with six months to secure her promotion to law firm partner. Add an attractive, fun-loving neighbor next door who makes her laugh and tempts her with a different life. Is this a recipe for love or disaster?
This book provided me with an authentic and immersive reading experience, as the author—a journalist—chronicles the lives of three very different couples in Mumbai over years against the backdrop of an India that is undergoing vast economic and cultural changes.
The author expertly blends reportage with novelistic storytelling so that the book provides intimate portraits of its subjects and gloriously captures both the everyday rhythms and the larger challenges of marriage in contemporary India, where even couples entering so-called love marriages must overcome many obstacles.
Winner of the Silver Nautilus Award for Journalism & Investigative Reporting
"A book that truly is impossible to put down.”—Washington Post
"This remarkable debut is so deeply reported, elegantly written, and profoundly transporting that it reads like a novel you can’t put down. It’s both a nuanced and intimate evocation of Indian culture, and a provocative and exciting meditation on marriage itself."—Katie Roiphe, author of The Violet Hour
In the vein of Behind the Beautiful Forevers, an intimate, deeply reported and revelatory examination of love, marriage, and the state of modern India—as witnessed through the lives of three very different…
The twelve stories in my short story collection look at how cultural expectations and taboos shape lives, particularly women’s. My characters are of Indian origin, and the stories are set in the U.S. and India. In one story, a man's seemingly innocent gesture at a party unravels buried tensions in a marriage. In another, a grieving doctor chronicles the peculiar ailments of an elderly couple yearning for their absent son.
Marriage is a recurring theme: how does an expectation that marriage should last for life impact the partners? Ultimately, these stories uncover the compromises we make in our search for happiness.
“The alien abduction meets lesbian yearning novel that will restore your faith in the universe. Ilana Masad excavates the juiciness of historical archives and the otherworldly mysteries of the everyday in her most brilliant work yet.” –Ruth Madievsky, author of All-Night Pharmacy
Every picture tells a story, but it’s not always the one we expect or remember. Christmas Actually is a festive drama about family and forgiveness and a snapshot of modern family life, addressing Instagram to motherhood and everything in between.
Why Christmas? My publisher wanted my new novel to have…
